"It is not as hard to care for one's clothes as it is to get them in the first instance. Yet, often those who have the fewest garments take the least pains to preserve their freshness. Wealthy women having good maids have their gowns and bonnets looked after with a zealous skill that women who lack such service scarcely dream of. It is not wear that makes your best gown shabby in a couple of months,it is lack of care when it is off your back. If you fold it up or hang it, ten to one you do it badly. Hang all your dress waists and skirts but suspend them on coat hangers, not on hooks or nails. The way shopkeepers care for ready-wear garments is an excellent object lesson.
A large number of hangers can be bought for 50 cents, or if you are out of reach of the ready made articles, manufacture them. Half a barrel hoop with a loop of string in the middle makes a satisfactory substitute. Hanging only serves for heavy fabrics, not when they are of thin goods. In that case, garments are apt to become stringy. Light material must be folded, sleeves and bows stuffed out with tissue paper, and all given plenty of room.Skirt bags are a luxury, even a necessity for handsome garments. They are great square sacks of white cotton, longer than the skirts, and into which the skirt can be slipped without crushing. A sachet suspended in the center imparts to the skirt a fragrance which makes it as sweet and as fresh as a flower."
Tuesday, December 30, 2008
Sunday, December 28, 2008
Cold Water in Recipes
A woman who lived for many years on Fourth Lake in the Adirondacks, and is famous among her friends for her excellent cooking, has adapted most of her dishes to cold water in place of milk. This she found necessary because of the high price of milk, which was ten cents a quart, as well as the uncertainty of obtaining it in severe weather.
Saturday, December 27, 2008
The Travails Of A Librarian
"You would be surprised of you could be here for a day at the constant demands for a good book,"says the librarian of one of Maine's largest libraries in the 1900's."Everyone has a different definition of what a good book is. No dry good worker ever had harder work to satisfy a customer than the loaning clerk to find something readable for her patrons. One woman wants a small book, one something that is easy to hold; another wants a thick book, something that will keep her busy long enough to pay for taking it home. Another wants a book about the right size to put in her handbag. Or one says, 'Red covers please, I never saw a poor book in red covers.'One complains that the print is too small or too close. I must read the titles for her as she has forgotten her glasses. Books are refused because there is too much margin, or because there aren't quotation marks enough. But the greater trouble of all is the woman who wants the same book as her friend but she doesn't remember the author or the title. But it was so big, something about the revolutionary war, and she thinks she could recognize the picture on the front if she could see it."
Thursday, December 18, 2008
The English Cravat
The English cravat is very fashionable at this moment, though it is not specially new. It consists of a long strip of silk ribbon which is tied directly under the chin in such a manner that the bows are very short, almost butterfly loops, while the ends hung right in the belt. They gradually widened and are finished with a sharp pointed cut. The four-in-hand is now made of figured ribbon embroidered with green clovers and in a study of the fashionable stocks, one certainly does see a great deal of hand embroidery so it looks as if every woman would have to turn embroiderer whether she wants to or not.
In the new stocks you notice a tendency toward the long ends in front. These are tied not so much under the chin as lower down. Take a ribbon which is carried twice around the neck, and knotted under the chin in a tied double knot. The ends are not allowed to fall, and they should nearly come to the knees. But there is another bow to be tied and this is directly over the bust. It should be a bow with two wide loops, and if one is skilled enough there should be four loops so that the whole thing when done is only a little longer than the belt.It is a good plan, unless you are skillful at tying, to tie the thing before it is put on and then fasten it in any clever way, so that it will look as though it were freshly tied.
In the new stocks you notice a tendency toward the long ends in front. These are tied not so much under the chin as lower down. Take a ribbon which is carried twice around the neck, and knotted under the chin in a tied double knot. The ends are not allowed to fall, and they should nearly come to the knees. But there is another bow to be tied and this is directly over the bust. It should be a bow with two wide loops, and if one is skilled enough there should be four loops so that the whole thing when done is only a little longer than the belt.It is a good plan, unless you are skillful at tying, to tie the thing before it is put on and then fasten it in any clever way, so that it will look as though it were freshly tied.
A Thoughtful 1901 Mother Says...
That if you want your children to be courteous, you must treat them with respect.
That you should be as careful of their feelings as you want them to be of the feelings of others.
That when it is necessary to administer reproof, it should be given in private.
That most children are sensitive on this point; it injures their self-respect and they feel it acutely, though they are not able to express it in words.
That to tell a child in public that it has been rude or lacking in good breeding is as unwarrantable as it would be to tell a guest so.
That it is no excuse to argue that you are doing it for the purpose of making the child better and more thoughtful.
That this can be accomplished much better if you take the child aside at the first convenient opportunity and gently but firmly point out what the error was and what should be done on the next occasion.
That it is possible to callous a child's conscience by too rigid discipline, and this is a mistake made by too many mothers.
That you should be as careful of their feelings as you want them to be of the feelings of others.
That when it is necessary to administer reproof, it should be given in private.
That most children are sensitive on this point; it injures their self-respect and they feel it acutely, though they are not able to express it in words.
That to tell a child in public that it has been rude or lacking in good breeding is as unwarrantable as it would be to tell a guest so.
That it is no excuse to argue that you are doing it for the purpose of making the child better and more thoughtful.
That this can be accomplished much better if you take the child aside at the first convenient opportunity and gently but firmly point out what the error was and what should be done on the next occasion.
That it is possible to callous a child's conscience by too rigid discipline, and this is a mistake made by too many mothers.
Clarke's Compound Mandrake Bitters
A new remedy for bilious and liver complaints, this medicine is composed of some of the most effective remedies modern science has been able to produce from the vegetable world, two of the most powerful being extracted from mandrake and leptandrin,which being combined with vegetable extracts, form one of the most powerful remedies for bilous and liver disorders, as it is certainly one of the best blood purifiers ever compounded. Large bottle, 50 cents.
Monday, November 17, 2008
Hanging Pictures In the 1900's
In hanging pictures, there must be a scheme to which the general tone of the pictures should conform. A dark carbon mustn't hang close to an etching drawn in delicate lines and bordered by a bright white mat.
If water-colors with their soft tints elbow oil paintings with their bolder tones, the former will be faded, the latter coarsened, by the proximity.
Etchings, photographs, drawings, engravings, water-colors, and pastels may be assembled in friendly terms. Even then, however, there must be judgment exercised in how they are placed.
Dark, heavily-shaded pictures should not always hang in the strongest light, but in some cases seek a sheltered position away from the glare of the windows.
Near the light belong the pictures in fainter tints, the subdued water-colors, the engravings whose best points need illumination.
If water-colors with their soft tints elbow oil paintings with their bolder tones, the former will be faded, the latter coarsened, by the proximity.
Etchings, photographs, drawings, engravings, water-colors, and pastels may be assembled in friendly terms. Even then, however, there must be judgment exercised in how they are placed.
Dark, heavily-shaded pictures should not always hang in the strongest light, but in some cases seek a sheltered position away from the glare of the windows.
Near the light belong the pictures in fainter tints, the subdued water-colors, the engravings whose best points need illumination.
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